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Wednesday
University, a program of Seattle Arts & Lectures and the Walter
Chapin Simpson Center for the Humanities provides Puget Sound residents
with an intellectually stimulating and fun way to continue their education
in the arts and humanities. Each year, the Wednesday University offers
three courses taught by distinguished professors at the University of
Washington. These courses, which meet on Wednesday evenings in the Henry
Art Gallery Auditorium, are open to anyonefrom high school students
to senior citizens. Past courses have included Early Modern Art, Greek
Myth, Silent Film, and Race in the American West, among others, and are
taught by professors at the University of Washington known for both their
scholarship and their teaching ability.
Autumn
2006
Nature, History, and Nation
How have human actions transformed the natural environments of North America?
How have those environments, at once natural and man-made, influenced
American history? What can landscape painting, nature writing, and the
national park system tell us about our imaginative understandings of the
non-human world? This course will uncover the ways in which human and
natural history are fundamentally intertwined. Lectures will integrate
the history of U.S. politics and culture with the history of forests,
agriculture, rivers, animals, and air. We will consider the environmental
and social impacts of nineteenth-century industrial expansion; the history
of environmental conservation and the social conflicts those efforts created;
the development of modern industrial agriculture, from the Dust Bowl crisis
to current controversies over genetically modified crops; and the atomic
fallout crisis of the 1950s and the subsequent rise of modern environmentalism.
Linda
Nash is Assistant Professor of History at the University of Washington,
specializing in U.S. environmental and cultural history. Her book Inescapable
Ecologies: A History of Environment, Disease, and Knowledge examines
how Americans have understood the relationship between local environments
and disease. She also has degrees and fieldwork experience in civil engineering
and environmental science.
Wednesdays, 10/11, 10/25, 11/8, 11/29, and 12/13
Winter
2007
The Fool in the Frame: American Film Comedy
As Aristophanes and Shakespeare knew well, the clown is a fool and the
fool is the wisest of us all. Laughter sometimes hurts because comedy's
dramaturgical forms invite us to question cultural, political, and aesthetic
norms, to experience anew habitual patterns of behavior and meaning. This
course looks at the cultural questions "framed" by American
film comedy since the early twentieth century when Charlie Chaplin emerged
as America's first international film star. The profoundly humorous approach
to twentieth-century culture we find in Chaplin's duck-walking Little
Tramp, Depression-era screwball antics, and witty conundrums posed in
the films of Preston Sturges, Billy Wilder, and Joel Cohen far surpasses
a bit of clowning around. We will spend the winter laughing out loud while
asking why--from aesthetic, political and historical perspectives--the
rare vision of these cinematic clowns brings us just as close to tears.
Jennifer
M. Bean is Associate Professor of Cinema Studies and Comparative Literature
at the University of Washington. She is co-editor of A Feminist Reader
in Early Cinema and author of The Play in the Machine: Slapstick,
Seriality and Cinematic Modernity. Bean serves in the leadership of
the Society of Cinema and Media Studies and the Thanhouser Company Film
Preservation enterprise.
Wednesdays, 1/17, 1/31, 2/14, 2/28, and 3/14
Spring
2007
Sacred Cities of Asia
Visually resplendent and architecturally captivating, sacred cities of
Asia are rich in political, religious, and cultural history. Their spaces,
iconography, and uses open windows into ways of thinking, believing, and
feeling quite distinct from everyday Western life. This course will explore
the architecture and cultures of five World Heritage sites from South
to East Asia. In India, we will visit the holy Hindu city of Varanasi,
where the spectacle of life, from birth to death, is ritually enacted
on the banks of the River Ganges, and Madurai, the Tamil temple town whose
annual rite witnesses the wedding of the goddess Meenakshi to Shiva. Three
cities to the east ally temporal empires with divine powers. We will enter
the Cambodian palace-temple of Angkor Wat, built to legitimize divine
kings; tour the Forbidden City of Beijing, consecrating the Chinese emperor
as the Son of Heaven; and visit Kyoto, the Japanese imperial capital arrayed
in palaces, temples, and shrines.
Vikramaditya
("Vikram") Prakash is Associate Professor and Chair of the
Department of Architecture at the University of Washington. He teaches
non-Western architecture, modernism, and culture theory as well as studio
classes. He is author of Chandigarh's Le Corbusier: The Struggle for
Modernity in Postcolonial India and co-authored A Global History
of Architecture.
Wednesdays, 4/4, 4/18, 5/2, 5/16, and 5/30
For information
about previous courses in the Wednesday University Series, please visit
our season archives.
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