Please note: This event will contain graphic imagery and mature content. Parent/adult discretion is advised. Standby tickets will no longer be available for this event.
This event is part of SAL's Women You Need to Know (WYNK) Series. Marina Abramović will be interviewed about her life and art.
“Once, Picasso was asked what his paintings meant. He said, 'Do you ever know what the birds are singing? You don’t. But you listen to them anyway.' So, sometimes with art, it is important just to look.”―Marina Abramović
"The function of the artist in a disturbed society is to give awareness of the universe, to ask the right questions, and to elevate the mind."―Marina Abramović
“The sense of purpose I feel to do something heroic, legendary, and transformative; to elevate viewers’ spirits and give them courage. If I can go through the door of pain to embrace life on the other side, they can, too.”―Marina Abramović
The moderator for this event will be Jen Graves, the art critic for The Stranger.
Since the beginning of her career in Belgrade during the early 1970s, Marina Abramović has pioneered performance as a visual art form, creating some of the most important early works. The body has always been both her subject and medium. Exploring her physical and mental limits in works that ritualize the simple actions of everyday life, she has withstood pain, exhaustion and danger in her quest for emotional and spiritual transformation. From 1975–88, Abramović and the German artist Ulay performed together, dealing with relations of duality.
Abramović returned to solo performances in 1989. She has presented her work at major institutions in the US and Europe, including the Stedelijk Van Abbemuseum, Eindhoven,1985; Centre Georges Pompidou, Paris, 1990; Neue National Galerie, Berlin, 1993, and the Museum of Modern Art, Oxford, 1995. She has also participated in many large-scale international exhibitions including the Venice Biennale (1976 and 1997) and Documenta VI, VII and IX, Kassel (1977, 1982 and 1992).
Recent performances include "The House With The Ocean View" at Sean Kelly Gallery, New York in 2002, and the performance "7 Easy Pieces" at Guggenheim Museum, New York in 2005. In 2010, Abramović had her first major U.S. retrospective and simultaneously performed for over 700 hours in “The Artist is Present” at Museum of Modern Art, New York. Using herself and the public as medium, Abramović performed for three months at the Serpentine Gallery in London, 2014; the piece was titled after the duration of the work, “512 Hours”.
Abramović was awarded the Golden Lion for Best Artist at the 1997 Venice Biennale for the video installation and performance “Balkan Baroque.” In 2008, she was decorated with the Austrian Commander Cross for her contribution to Art History. In 2013, the French Minister of Culture accepted her as an Officer to the Order of Arts and Letters. In addition to these and other awards, Abramović also holds multiple honorary doctorates from institutions around the world.
Abramović founded the Marina Abramović Institute (MAI), a platform for immaterial and long durational work to create new possibilities for collaboration among thinkers of all fields. The institute inhabited it’s most complete form to date in 2015 as part of the exhibition “Terra Comunal," SESC Pompeia, São Paulo, Brazil.
The Artist is Present (2010)
Seven Easy Pieces (2005)
Rest Energy (1980)
Rhythm 0 (1974)
Rhythm 10 (1973)
Walk Through Walls: A Memoir (2016)
Akademie X: Lessons in Art + Life (2015)
Marina Abramović: Dream Book (2012)
Marina Abramović: Artist Body (1998)
The Marina Abramović Institute
Performance artist Marina Abramović: 'I was ready to die'
Walking Through Walls, The New Yorker Review
TED Talk: An Art Made of Trust, Vulnerability, and Connection
Marina Abramović to Publish a Memoir in 2016